King Bramble


Key: F#m

Form: 3/2 hornpipe

MP3: (As arranged for the Vermont Fiddle Orchestra by Laurel Swift*)

Download this MP3 (If it plays, right-click on the page and “Save as”. (Detailed instructions for different browsers).

MP3: (Slow melody for learning, played by Laurel Swift*)

Download this MP3 (If it plays, right-click on the page and “Save as”. (Detailed instructions for different browsers).

Sheet Music: Click image to enlarge.

All Parts

Bass clef parts

 

 

 

 

 

 

 

Sheet Music in PDF:
King Bramble – arranged
King Bramble – Bass clef

ABC: (inscribed with separated parts)

X:1
T:King Bramble
T:Melody
C:Laurel Swift
M:3/2
L:1/4
K:F#m
|:"F#m"FcBAce|"E"B3/A/GABc|"F#m"FcBA"A"ce|1"E"BAGF"C#m"EC:|2"E"BAGF"C#m"EC||
|:"D"DFEGF/G/A|"E"B3/A/BcdE|"D"DFEGF/G/A|1"E"BAGF"C#m"EC:|2"E"GB"F#m"Ac"E"B/c/d||
|:"A"c3/B/AcBA|ee2fcB|c3/B/ADFA|1"E"EGBGAB:|2"E"EGBGAG|]
T:Harmony #1
M:3/2
L:1/4
|:CFzGAF|CEzFED|CDzCEC|1B,EzB,CE:|2B,EzB,CB,||
|:A,DA,ED/E/F|EB,2B,CB,|A,DA,ED/E/F|1G3AGE:|2EGEAGB||
|:e3/d/cedc|cc2dAB|e3/d/cFAd|1GBeBcd:|2GBeeBB|]
T:Harmony #2
M:3/2
L:1/4
|:F3zc2|B3zF2|A3z[A2F2]|1G3GAG|2B3GAB||
|:c2B2A2|G4FC|B,2C2D2|1E2z2BB:|2E2zECB,||
|:A,3E3|A3cAE|A,3D2F|1E3ECB,:|2E3EFE|]
T:Harmony #3 (Bass)
M:3/2
L:1/4
K:bass
|:F,,2zF,,zF,,|E,,2zE,,zE,,|F,,2z2A,,2|1E,,2z2C,,2:|2E,,2z2C,,2||
|D,,2zD,,zD,,|E,,2zE,,zE,,|D,,2zD,,zD,,|1E,,2z2E,,2:|2E,,2zE,,F,,E,,||
|:A,,zA,,zA,,|A,,zA,,zE,,z|A,,zA,,zD,z|1E,zE,zE,,z:|2E,2zzzE,,z|]

YouTube

Source: Laurel Swift

Genre/Style: 

Other Tunes in Set:

Region: England

*Notes:  The “arranged” and “melody” audio clips above seem somewhat different from one another.  Peter Macfarlane writes, “there are 2 main differences,
1. The arranged version starts with some of the harmony accompaniment (an ‘A’ part of the top fiddle harmony followed [by] an ‘A’ part of both fiddle harmonies) before the melody kicks in at 0:29. The melody is rather buried under the accompaniment, but it’s there.
2. Last (3rd) time through, the melody of the ”B’ part is missing, and in its place there’s a floaty interlude, reminiscent of the second part of the intro.”